Publishing Painting Books
Many designers as well as students of Decorative Painting
share concerns about the lack of books being published today,and while
it isn't the "end" of publishing books, a lot has changed in
the last few years that has greatly affected our industry.
It still is an incredible journey for painters of today,
but the buying "numbers" just aren't there presently for companies
to be able to produce in the same capacity they once did. It doesn't mean
people aren't painting any longer...or that they don't love it just as
much as they used to; it just means not as many are, due to a huge NUMBER
of reasons, which have been discussed forward, backward, upside down and
right side up.
It has nothing to do with what one or two companies did, or didn't do
in our industry, and while it's true some classes get canceled, and some
big chain stores don't sell "our" products like they once did,
those buyers that once purchased in large volumes wouldn't cancel classrooms,
or not order product to sell if painters were still purchasing, as they
once used to.
The big craft chain stores are only carrying a few select books, and mostly
they're "craft" publications now...so many of the small shops
have closed...and painters that gather around the kitchen table, and in
the majority of home studios, while they are still in existence around
the country just aren't cutting it right now. Who then one might ask...would
the publishers be selling to?
There's still a bunch of passionate painters...there are still painting
lists...groups...chapters and such, and those that will follow and buy
from their favorite designers, and some painters flocking to the conventions,
but compared to when the market was so affluent it's nothing now compared
to "then".
It is often noted how quality in these big craft chains has been compromised,
but in truth, many painters wouldn't pay for quality.. They'd rather purchase
an item from abroad, that was inferior, or have the guy next door cut
something for them...cheaper. Everyone can understand people wanting to
save money, but just these type of actions have brought us to looking
at cheap product now because the public really wouldn't purchase "high"
quality for the most part. Look at all the wood suppliers and other large
companies that have closed that really did sell good quality items?
One must wonder how often some in the past have "looked through"
the books in Michael's, or the painting shops, back when they were in
abundance, only to then go and order them from Artist's Club at a cheaper
price or use a "wholesale" connection? Sure, the designer is
getting their royalty out of that... (sometimes ...not always) but Michael's
and the big craft & painting stores ended up seeing that their book
inventory was still sitting on the shelf and not selling. Companies cannot
stock what isn't selling any longer and they won't.
Emotions run high for so many of the new and upcoming designers today.
They're just as passionate, and have so much to share just like the designers
of yesterday, but the numbers to share them with just aren't there as
they used to be...again...for a NUMBER of reasons.
All things run in cycles...and this will too. Painting hasn't died, and
some books will, of course, continue to be published, as will packets
and some magazine publications, but designers and artists can't blame
the publishers for not publishing...nor even the big chain stores for
not carrying "our" products.
If the books and product had been selling, they would still be on the
shelves for sale. If we come back in numbers, if we start
supporting the decorative painting industry again by doing that, if trends
change, if we somehow instill new interest and new growth in the
industry, if, if, if...sure...it will come back, and who knows? Maybe
even bigger than it ever was?
So many companies are tightening their belts, and if what they're selling...isn't
selling...they are finding other products to carry that are. No company
can stay in business to "wait it out".
Look at our own TF's list! How many have said they have so many books
and packets and surfaces now that if they live to be 100, they'll never
get it all painted? Sure some are still going to conventions, and are
probably going to buy more stuff...but they are becoming VERY selective,
and not at the rate they did several years ago. The numbers, be it $$
or painters... just are simply not there any longer.
When attendees at trade shows say "it was a great show because I
didn't have to wait in line to purchase anything"...well, that's
just one small example of the crunch we're seeing now because without
the "lines", the exhibitors and companies aren't making the
money they need to keep on keeping on.
It's a domino effect, and when one area becomes compromised and begins
to hurt, they are all affected in many ways.
It costs upwards of $20+ thousand dollars just to publish one really good
book. Publishers today have to think REALLY hard about putting that kind
of money out and if major publishers like Plaid and others aren't doing
it, many have no choice but to follow suit, and hopefully...maybe... wait
it out if they can find other ways of keeping the doors open until that
day.
It's a "new world" for many designers today. Some veteran designers
are going to be ok, simply because they have such a huge following. Others
have had to get out of the business totally, especially if painting had
been their main income.
New designers need to be very innovative, tighten up their belts, find
a little "bulldog tenacity" and wait it out by being "out
there"! They should bring on the packets on their websites...go with
magazines when possible...advertise in the magazines so people know they
ARE around and WHO they are...teach at conventions...teach locally, support
the conferences, and chapters, exhibit if and when they can, and stop
worrying so much about the book industry having to cut back.
They'll come back if and when it becomes profitable again to do so. There
are many great designers out there that have never published a book, and
they've done really well in this industry and continue to do so today.
Quite often painters will say they won't purchase a "packet"
because they'd rather spend the money on 1 book that contains numerous
projects...which sounds logical, but most often, they've either bought
one that was not very informational, or they've never purchased a really
good one that offered as much as so many do these days.
Packets DO sell, maybe not in the 10,000+ range of numbers that books
used to, but they are a product that a designer CAN produce, still affordably,
one of the few products a designer does have control of the pricing...and
it's one way of making sure the designs are available to the painting
market today and ensure that the designer's name is still "out there",
until the cycle comes around, with more people taking interest in it again.
So to all the new and upcoming designers...don't think that just because
a book isn't in the making at the moment, painting is over because it
isn't...not by a long shot.
If we do nothing...then that's what will happen. If we give up and quit
designing because we haven't "put out" a book, sure, the turn
around cycle will take longer, if it happens at all.
If we all keep trying to promote Decorative Painting, and introduce it,
as many ways as possible to the "non-painters" of the world...it
will take hold again. So...bottom line...push those designs as packets
for now, or classes...whatever... and let people know you are out there
and show them once again...this is a learnable art form that anyone can
learn!